Notes

*Matrix*

----------------------------------------------------
SBD:

Recording Info:
SBD -> Cassette Master (Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) ->
SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(2 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
Post Processing by David Minches
charliemiller87@earthlink.net
April 28, 2006

----------------------------------------------------
AUD:

Recording Info:
(FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat

Transfer Info:
Dat (Sony R500) -> Samplitude v6.0 -> CD -> EAC -> SHN
2 Discs SHN / 2 Discs Audio

All transfers done by Charlie Miller
charliemiller87@earthlink.net
shn conversion done 5/22/03

---------------------------------------------------
Thank you to Charlie Miller for the SBD and AUD transfers.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
August 15, 2008


Notes:

1) One momentary cut in the AUD during Drums into Space. One brief cut in the SBD during Space.

2) Fades were used to create a "seamless" AUD track.

3) There are several atomic Phil bombs during Terrapin and Other One.

4) Jerry Garcia on "matrix" recording in 1981 regarding the Dead Set and Reckoning albums:

"It's a remarkable process that gives [the recording] a three-dimensionality that is uncanny - it really does...It's actually superimposed, the best of both worlds: the close mic sound of being right on stage, you know, and the thing of being in the room and the way the room, what the room does - those things superimposed on each other, you know, in various relationships. It's pretty much like being there."